AFTER WATCHING Silhouette Secrets, recently launched on Amazon, people often ask: what sparked my interest in silhouettes? It isn’t such an easy question to answer. However, my mind often returns to this silhouette, which has been in my family for years. It may well be the first silhouette I ever saw.
History of Silhouettes
Articles about silhouette history and a wide range of historical silhouettists whose work interests Charles or has influenced him for one reason or another.
MY FILM Silhouette Secrets includes a cameo appearance by Paul Daniels. This interview – our Paul Daniels cameo – was a late addition. We were looking for a magician to talk about Dai Vernon, the celebrated father of close-up magic, who earned a living as a street silhouettist during the Great American Depression.
WHAT SHOULD a silhouettist’s approach to data protection be? This question has been much on my mind recently. I’m not alone; the launch of GDPR in Europe – and the subsequent wave of reply-or-unsubscribe emails – has got everybody thinking. What kind of data do I use? For me, the question has caused me to
I RECENTLY CAME ACROSS the work of a talented silhouettist called Sarah Harrington. She was a professional silhouettist who worked during the latter part of the eighteenth century. What struck me about about her work (apart from her obvious love of hats) is that they’re all cut inside-out!
LAST WEDNESDAYI picked up an eighteenth-century silhouette by Isabella Beetham. Beetham is a well-known Georgian artist and her work is much prized by collectors today. She is something of a feminist icon. She is one of very few eighteenth-century female artists to build a successful career in the male-dominated art world of her time. I came
THE FIRST DRAFT of my book was sent to the publishers this morning. It’s been an intense few months, but I’ve really enjoyed the opportunity to write about Mr Charles (among others) and his wonderful ink-wash silhouettes.