WHAT SHOULD a silhouettist’s approach to data protection be? This question has been much on my mind recently. I’m not alone; the launch of GDPR in Europe – and the subsequent wave of reply-or-unsubscribe emails – has got everybody thinking. What kind of data do I use? For me, the question has caused me to
The Frenchman August Edouart is known in the USA as “the father of silhouette”, a French refugee who completely reinvented freehand silhouette cutting.
YOU MIGHT ASSUME that the market for guest speakers on silhouettes would occupy the tiniest of niches in a niche of the already niche market for speaker about art! Yet silhouettes touch a deep nerve in all of us.
AFTER VISITING HOUSTON the Silhouette Secrets film crew were invited to a lunch by SCONE. We met “Silhouette Cutters of New England” at the Wayside Inn, near Boston. We knew nothing of the Wayside Inn’s history or it’s connection with the art of silhouette.
DURING FILMING of Silhouette Secrets in February 2014 we were unexpectedly let down by an interviewee in London. We found ourselves, camera crew in tow, with nothing to film on a beautiful winter morning. On a whim we got the Russian motorcycle out of the shed and headed out into Oxford to cut a silhouette of a shark.