THE TIME-TRAVELLING silhouettist sounds like a character from a steam-punk extravaganza. I’d love to imagine I could be that man!
References to Covent Garden, where I worked for many years as a street artist after leaving art college. It was mostly wonderful!
I HEARD ABOUT Inger Eidem long before I knew her name. Whilst cutting silhouettes at events I’d occasionally meet people who’d tell me about silhouettes they had done in their childhood. Apparently the artist cut through two pieces of paper at the same time, one of which became a portrait and the other a caricature.
WHAT SHOULD a silhouettist’s approach to data protection be? This question has been much on my mind recently. I’m not alone; the launch of GDPR in Europe – and the subsequent wave of reply-or-unsubscribe emails – has got everybody thinking. What kind of data do I use? For me, the question has caused me to