WHAT SHOULD a silhouettist’s approach to data protection be? This question has been much on my mind recently. I’m not alone; the launch of GDPR in Europe – and the subsequent wave of reply-or-unsubscribe emails – has got everybody thinking. What kind of data do I use? For me, the question has caused me to
Silhouettists have been keeping detailed archives of their work for nearly 250 years. It’s a tradition I keep alive today, but it’s a lot of work!
I’M EXITED to report we’ve at last started filming Silhouette Secrets. We filmed this interview and “how to cut a silhouette” sequence in front of my wall of silhouette duplicate albums. It is unlikely to be used in the film, but I hope it gives a flavour of what we have in mind.