14.06.2020 by Charles Burns
The Frenchman known as “Monsieur Adolphe” seems to have been quite a character in Brighton. Was he responsible for the myth that silhouettes were a traditional French art?
As a fan of Edgar Adolphe I run some of my virtual studio days in tribute to this artist. The next will be on 25th April 2021.
The French artist known as “Monsieur Adolphe” seems to have been quite a character. He was well known for his brand of ‘French’ silhouettes in nineteenth-century Brighton.
Edgar Adolphe was prolific silhouettist who worked in Brighton throughout the 1830s and 40s. He is most famous for his posthumous profile of George IV. His work is always signed and so easily identified.
Edgar Adolphe began making silhouettes in France for King Louis Philippe (or so he said) before making his way to Brighton in the 1830s.. He mostly painted bust, ¾ and full length silhouettes on card, as well as compositions and profile miniatures. His silhouettes are his best work.
Though he did sometimes paint purely in black, Edgar Adolphe’s style is defined by his restrained use of colour and embellishments. He preferred to use green-grey and blue-grey watercolour as a base colour, rather than black, adding gold and white details on top. Many of his silhouettes have a line of shadow (thin black paint) below the bust-line, which gives them a slightly 3D effect. They look like the silhouette is floating about 2mm above the paper.
Today, Adolphe silhouettes are prized collector’s item, hard to come by and quite valuable. They are quite easy to spot, juts look for “Adolphe” in neat letters under the bust line.
Further information about Edgar Adolphe from Profiles of the Past